What’s in My Camera Bag:
My photography setup is built around versatility, character, and creative flexibility. Whether I’m shooting landscapes, street, or experimental work, this kit allows me to adapt quickly while still keeping things intentional and streamlined.
Camera Bodies:
My primary camera is a full-frame Sony A7 IV, which I rely on for the vast majority of my work. It offers an excellent balance of resolution, dynamic range, and autofocus performance, making it dependable across a wide range of shooting scenarios.
Alongside that, I occasionally shoot with a full-spectrum infrared converted Sony a5000. This camera opens the door to experimental and infrared photography, allowing me to explore scenes in ways the human eye can’t normally see. I typically pair it with a compact Sony 20mm 2.8 lens for a lightweight, always-ready setup.
Lenses:
My lens selection reflects how I like to shoot, mostly mixing modern performance with vintage character.
Tamron 150–500mm f/5–6.7 Di III VC VXD
My go-to lens for distant landscapes, and compressed perspectives. It gives me serious reach without sacrificing portability.
My go-to lens for distant landscapes, and compressed perspectives. It gives me serious reach without sacrificing portability.
Viltrox 85mm f/2.0 EVO
A favorite for street, offering pleasing compression and smooth subject separation.
A favorite for street, offering pleasing compression and smooth subject separation.
Sony 55mm f/1.8
Sharp, compact, and incredibly versatile. This lens sees a lot of use when I want something reliable, sharp and unobtrusive.
Sharp, compact, and incredibly versatile. This lens sees a lot of use when I want something reliable, sharp and unobtrusive.
Meyer-Optik Görlitz Oreston 50mm f/1.8
A vintage lens I use when I’m after character and unique rendering. It’s not about perfection it’s about mood.
A vintage lens I use when I’m after character and unique rendering. It’s not about perfection it’s about mood.
Sony 28mm f/2
Lightweight and flexible, perfect for environmental street shots and everyday shooting.
Lightweight and flexible, perfect for environmental street shots and everyday shooting.
Sony 20mm f/2.8 (Infrared setup)
Usually mounted on my infrared camera, this lens works well for wide, experimental compositions.
Usually mounted on my infrared camera, this lens works well for wide, experimental compositions.
Editing Workflow:
All of my post-processing is done in Adobe Lightroom Classic. It’s where I handle everything from cataloging and color grading to final image refinement, allowing me to maintain a consistent look across my work while preserving the natural feel of each scene.